荷兰live cable 现场拉阔signasigna 信号线
高端
现场电缆是争取最高的可行的音乐质量的目的
这个目的已经达到了超过四年的连续设计和测试具有一批高素质的产品如经销商和电源线。高质量不仅形成了我们自己的经验，评论家和记者也听过电缆产品说的启示。生活追求的理念是电缆设计和制造的一切。我们相信，只有这样，高质量的完成可以保证。
我们的产品是建立不妥协。
带电电缆不为首的商业理念来获得在某一位置（价格）段。因此，我们的质量是不受市场需求的影响，因为那时质量优惠产生的危险。我们开发了从一个虽然：不妥协…
技法
所有的电缆产品，无一例外，都是由最优质的原材料。无论是电源线与接线盒与几种特别扭曲的字符串与一个直径16awg各建，现有从5N银（高纯度银）。避免接触你发现我们产品的任何形式的焊料融合。所有的连接创建的“冷”。结合材料，这种方式没有接触电阻。这些环节我们使用24克拉镀金连接在其他的事情上5N银布线和铑端子上的签名和s.p.c.电源线与接线盒。然后所有导电电缆和连接是通过高质量的双组分聚氨酯体筛选。这样做是为了吸收和避免干扰。
The housing of Live the Cable S.P.C junction box is made of 8mm special aluminium alloy. The housing of the Signature junction box is 12mm. In order to further reduce or avoid the influence of interference the S.P.C. junction box is protected by a 0,5mm copper cage within. The Signature junction box cages are doubled to 1,0mm of copper on all sides. The weight of the junction boxes are therefore relatively high 7,4kg (16lb) and 16kg (35lb) respectively. This weight is carried by - made of the same aluminium alloy - spikes and dishes which increases stability and dampening at good.
All Live Cable products are accurately calculated to 0,01mm (a tenth of the thickness of a human hair).
With the same precision the parts are milled from aluminium and copper.
If the end result is not set to this standard, 800 to 900 norms are reprogrammed for the perfect end result.
The spikes and the dishes that carry the junction box are made from the same special aluminium alloy as the junction boxes itself.
What is High-end audio and what is High-end sound?
High-end audio is about passion, passion for music and how this is reproduced.
High-end audio is the search to recreate, at the listeners home, the musical message of the composer or artist, adding a maximum amount of realism, emotion and intensity. Because music is important, recreating this as close as possible to the live experience is of great importance.High-end audio products comprise of a combination of components for musical reproduction that share little similarities to ‘stereos’ sold in the regular electronic supermarkets. A system for the reproduction of music is like a vehicle for expressing our vast emotional and intellectual potential of the music which has been recorded on our gramophone record and CD’s. The higher the quality of the reproduction, the deeper the connection to the music.
The high-end ethos - that music and the quality of the reproduction of music are very important - is expressed in high-end audio components.They are designed by devoted, enthusiastic people who combine both technical skill with musical sensitivity to construct components which bring its listeners one step closer to the live experience. High-end products are designed with the ear and build by hand. They exists for one sole reason: to enhance the experience of listening to music.
A common misunderstanding among many hifi consumers is the picture that high-end audio equals expensive audio. To the masses, high-end audio is nothing more than complicated audio devices with many luxurious options and a price tag aimed for millionaires! The general consensus is that the performance might be “a little better” compared to the hifi sold around the corner, but who can afford something like that? Besides, high-end audio is considered to be exclusive for trained listeners, snobs of hardware and gadget freaks, but not for the average man or woman.
高端的音频是不一样的！首先，“高端”是关于产品的性能，而不是它的价格。很多高端系统不成本比从本地存储一体化系统。我听了很多相对便宜的系统，其中包括音乐再现的本质，在普通消费者的预算约束。尽管高端音频组件的确是非常有价值的，这并不意味着第二按揭是一些再现的质量要求。一个惊人的音频系统可比你想象的那么贵，如果你愿意考虑的重要性等方面。音响为例，需要视音频再现的链中的一个单独的组件。
其次，高端音频是关于音乐的消息传递；它不是豪华的选项。事实上，高端的系统往往比大多数中音响系统产生的集体用户更加方便。这是由于高端伦理要求所有非必要的和无用的功能去除，而是集中所有资源对声音的质量。高端音频是为那些热爱音乐，不是电子。
第三；每个人都喜欢的音乐可以立即识别产品质量。有没有必要为一个“金耳朵”听到有声音。好的音乐是清晰的平均复制品之间的差异。该反应通常是一个表达喜悦或惊讶的人第一次听到的高端音频系统的满意度，强调高端音频是每个人都欣赏。如果你喜欢音乐，你会爱上一个高端系统。那么简单。
最后但并非最不重要的，高端的音频应该是让音频设备'消失'。当这种情况发生时，我们知道我们面对的是最高等级的作曲家和听众之间的交流，我们可以实现。高端音频不是音频设备；它是关于音乐。
少即是多…
高端的信条假定少音乐信号转变，更好的是。每一个电子电路，线的每一个音调控制或开关信号，从而影响音乐体验。这就是为什么你会找不到图形均衡器，空间增强，分谐波合成器或其他噱头这个口径在高端设备。这些东西不只是需要时间，这可能是花在把生命的音乐资源，他们也增加了丰富的电子信号。通过减少电子接触你和作曲家之间的量，高端产品可以最大限度地发挥音乐体验的直接性。
想象自己对盯着广阔的大峡谷，被那壮美的一幕（右边的照片是安塞尔·伊士顿·亚当斯的代表作）。你不经历只是这个巨大的雕塑雕刻从地球深处的浩瀚，但你也经历了微妙的细节从非常活跃的景观。你可以从中看到岩石的颜色和色调的精细度。即使是巨大的岩石更微妙的细节，只是看着它区分开来，使你的知觉的深化和提升。对比光线和阴影暴露裂缝和深渊的看似无止境的网络。的时间越长，你越看，你越看。感性动机纯粹的财富让你在边缘冻结，深深尊重自然的不可思议的美。
High-end audio is about passion, passion for music and how this is reproduced.
High-end audio is the search to recreate, at the listeners home, the musical message of the composer or artist, adding a maximum amount of realism, emotion and intensity. Because music is important, recreating this as close as possible to the live experience is of great importance.High-end audio products comprise of a combination of components for musical reproduction that share little similarities to ‘stereos’ sold in the regular electronic supermarkets. A system for the reproduction of music is like a vehicle for expressing our vast emotional and intellectual potential of the music which has been recorded on our gramophone record and CD’s. The higher the quality of the reproduction, the deeper the connection to the music.
The high-end ethos - that music and the quality of the reproduction of music are very important - is expressed in high-end audio components.They are designed by devoted, enthusiastic people who combine both technical skill with musical sensitivity to construct components which bring its listeners one step closer to the live experience. High-end products are designed with the ear and build by hand. They exists for one sole reason: to enhance the experience of listening to music.
A common misunderstanding among many hifi consumers is the picture that high-end audio equals expensive audio. To the masses, high-end audio is nothing more than complicated audio devices with many luxurious options and a price tag aimed for millionaires! The general consensus is that the performance might be “a little better” compared to the hifi sold around the corner, but who can afford something like that? Besides, high-end audio is considered to be exclusive for trained listeners, snobs of hardware and gadget freaks, but not for the average man or woman.
高端的音频是不一样的！首先，“高端”是关于产品的性能，而不是它的价格。很多高端系统不成本比从本地存储一体化系统。我听了很多相对便宜的系统，其中包括音乐再现的本质，在普通消费者的预算约束。尽管高端音频组件的确是非常有价值的，这并不意味着第二按揭是一些再现的质量要求。一个惊人的音频系统可比你想象的那么贵，如果你愿意考虑的重要性等方面。音响为例，需要视音频再现的链中的一个单独的组件。
其次，高端音频是关于音乐的消息传递；它不是豪华的选项。事实上，高端的系统往往比大多数中音响系统产生的集体用户更加方便。这是由于高端伦理要求所有非必要的和无用的功能去除，而是集中所有资源对声音的质量。高端音频是为那些热爱音乐，不是电子。
第三；每个人都喜欢的音乐可以立即识别产品质量。有没有必要为一个“金耳朵”听到有声音。好的音乐是清晰的平均复制品之间的差异。该反应通常是一个表达喜悦或惊讶的人第一次听到的高端音频系统的满意度，强调高端音频是每个人都欣赏。如果你喜欢音乐，你会爱上一个高端系统。那么简单。
最后但并非最不重要的，高端的音频应该是让音频设备'消失'。当这种情况发生时，我们知道我们面对的是最高等级的作曲家和听众之间的交流，我们可以实现。高端音频不是音频设备；它是关于音乐。
少即是多…
高端的信条假定少音乐信号转变，更好的是。每一个电子电路，线的每一个音调控制或开关信号，从而影响音乐体验。这就是为什么你会找不到图形均衡器，空间增强，分谐波合成器或其他噱头这个口径在高端设备。这些东西不只是需要时间，这可能是花在把生命的音乐资源，他们也增加了丰富的电子信号。通过减少电子接触你和作曲家之间的量，高端产品可以最大限度地发挥音乐体验的直接性。
想象自己对盯着广阔的大峡谷，被那壮美的一幕（右边的照片是安塞尔·伊士顿·亚当斯的代表作）。你不经历只是这个巨大的雕塑雕刻从地球深处的浩瀚，但你也经历了微妙的细节从非常活跃的景观。你可以从中看到岩石的颜色和色调的精细度。即使是巨大的岩石更微妙的细节，只是看着它区分开来，使你的知觉的深化和提升。对比光线和阴影暴露裂缝和深渊的看似无止境的网络。的时间越长，你越看，你越看。感性动机纯粹的财富让你在边缘冻结，深深尊重自然的不可思议的美。
听音乐的一个平庸的音响设备播放一样盯着大峡谷通过夹层玻璃。在音频再现-链的每一个分量的CD播放器，前置放大器，末级放大器，扬声器和电缆连接一切改革的信号的吞吐量。这是不可避免的。一个设备可以躺在粗粒的个别乐器的纹理。另一个装置带来了响亮和软通道之间的动态对比度，使作曲家的动态表达被削弱。另一个组件上厚，暗霜在音乐，造成微妙的子色调杂色被破坏，所有的仪器都“倒”在毫无意义的音色。最后，它削弱了窗框的意思；完整的电子和机械显示系统的规模或大小，描述了艺术家的艺术内涵。
高端音频是消除许多层玻璃，让各层的剩余部分尽可能透明。低层和不影响信息传递的流程有这层，我们就越接近于真实的体验和更深的我们连接到音乐信息。
为什么高端音频产品更透明的窗户盯着音乐的发生比普通的立体声设备随处可见？高端产品的设计，很好的意思，在现实生活中。它们不是按照一定的技术规范执行。真正的高端设计师听产品在发展的各个阶段。真正的设计师设计的开关和测试多种技术来实现一个目标：复制最好的“生活经验”的可能。这导致一个热心奉献的调查，涉及数百个小时的听力，除了一个一丝不苟的各因素对声音的影响。Often they replace a component with a more expensive replacement, sacrificing profit margin to offer a better quality for the same price. 为什么？Because the high-end designer is deeply committed to the music and her reproduction.
On the other hand, the mass products of the big electronics companies are designed from the thought of having to perform ‘on paper’ - by means of the technical specifications of the device - to the expense of sound quality. A prime example of this is the “THD-war” from the 1970s and 1980s. THD means ‘Total Harmonic Distortion’, a specification which is used as a standard for the quality of an amplifier by inexperienced consumers. The lower the THD-value, the better the amplifier was thought to be. This brought about a race between large corporations to bring products on the market with increasingly lower THD-values. In the end, it became a race to see which brand had the most zeroes behind the comma (e.g. 0,001% THD). 许多消费者买他们的接收机或放大器仅基于该值。
即使低THD值是一个值得称道的设计目标，并作为一个结果，来实现这些低值的方法造成大的问题。一个推低THD值的技术被称为“反馈”。这意味着，该放大器的输出信号的一部分反馈到输入。大量的反馈减少谐波失真，但同时造成的问题影响了放大器的质量。但这些大电子公司觉得这个过程影响质量？绝对不。唯一重要的是生产的产品将大批量出售。They made a trade-off, sacrificing musical performance for a meaningless technical specification, which was sold to the audience as being of great importance. Buyers who purchased audio components based on a piece of paper stating technical details were stuck with a mediocre or bad performing sound system. Ironically, amplifiers with the lowers THD-values possessed the lowest quality too.
This example illustrates the enormous difference between producers who produce for the masses and the high-end designers. The latter care much more about how the product sounds, rather than how it performs ‘on paper’. They also know that their clientele will only purchase based on what they hear, not based on specifications.
High-end audio products are not designed just by the ear, often they are hand-assembled by skilled craftsmen who take pride in the products they craft. Often they are audiophiles as well, crafting with the same care and precision as if they were building for themselves. 这种精确的对细节的关注，结果是更好的施工质量。更好的建设质量不仅可以带来更好的声音质量的组成部分，也是一个较长的可靠性和磨损较少的迹象。最重要的是，一方面建立了高质量的组件可以给人一种自豪感，大批量生产的部件不能生产将无法达到。
高端产品往往是由一个更好的客户服务而中期FI生产者。因为高端生产者更关心自己的产品和客户，他们一般提供更长的质量保证、更容易维护和更换程序和更好的服务。高端生产者维修没有保证的产品它是不寻常的，免费的。这并不意味着它是一个给定的事实；它只是说，它发生在高端而无法想象的大量产品。高端企业关心自己的客户。
These characteristics also apply to high-end retailers. The high-end retailer shares that passion for music reproduction that you have and the adds the wish to offer you a good service. When you are used to buying audio at the large electronics warehouse, you will be pleasantly surprised when you visit a real high-end retailer. Instead of trying to sell you something which just does not suit you or your system, the high-end retailer will view it as his or her responsibility to compose a system that will satisfy your needs best for the longest time possible. Such a retailer will prioritise your musical satisfaction rather than selling the ‘offer of the month’.
Finally, high-end audio could originate from everywhere in the world; the Netherlands, Greece or Brazil just as easy as Japan. The best audio devices do not automatically originate from Japan or the United States.
Seen from a deeper point of view I think that high-end audio products differ fundamentally from mass products. 他们从出生那一刻（在纸上或是在设计师的头脑）他们在不同的设计目标，设计，建设，营销甚至组件被使用的方法使所有的差异，当比较高端的音频组件中FI的表亲。
现在我们知道将一个高端的企业一个共同的电子仓库：关怀的态度，高端设计师接洽的音乐。高端设计师不做框，可以出售任何国内或贸易产品一样；他或她使乐器，它的性能具有决定性的影响的方式，他或她的客户体验的音乐。高端组件是一个深深的迷恋和关注它的音乐再现精度是描绘的物理表现，包括满足买方将他或她自己的经验。
高端设计师工艺制品，以他或她会听家里。因为他或她在乎音乐，重要的是他或她有未知的听众，远在千公里可能享受音乐。更大的参与听众的音乐，好的设计师做了他或她的工作。
一个著名的设计师的数字处理器是这奉献的实例。In a new design they placed a resistor with a price of about one euro (rather than the usual cents that were previously spent on such a resistor component). By the time the product was ready to go into production, the designer sought ways how to further increase the quality of the product. By means of trial and error he found an exotic resistor, with a price of ten Euros. He was surprised to hear how much this was an improvement and could not stand that the product be sold with the one euro resistor. The production was changed to include this better resistor, even though the retail price was already set based on the previous lower costs per unit. High-end designers strive to add quality to their products, rather than low costs per unit.
In the eyes of high-end designer is the electronic or mechanical design not just a technical matter; it is also an act of love and devotion. It is for surprising to those who are not used to such an approach, in which every aspect of the design of a component - both technical and musical - is explored. The ethos of the reproduction of music reaches to the core of the existence of the high-end designer: it does not concern a job for which he or she must show up to work daily. The result for the listener is the manifestation of a substantially more powerful and intimate involvement with the music, than is possible with equipment which was designed without this form of devotion.
What is high-end audio?
What is high-end sound?
It arises when the audio system is forgotten, seemingly and nearly unperceived it got replaced by the artists in your room. It is present when the artist or composer speaks to you through time and space. It is nearly tangible when you feel the conciliatory physical sensation during a musical climax. It is an indescribable rollercoaster of emotions which the composer has somehow coded to a combination of sounds. 它是有形的物质世界的短暂消失，让你的意识落后只是伴随着音乐。
这是高端音频的真正含义…
来源：音景（http://www.soundscapes.nu/high-end.htm）现场电缆编辑
高端音频是消除许多层玻璃，让各层的剩余部分尽可能透明。低层和不影响信息传递的流程有这层，我们就越接近于真实的体验和更深的我们连接到音乐信息。
为什么高端音频产品更透明的窗户盯着音乐的发生比普通的立体声设备随处可见？高端产品的设计，很好的意思，在现实生活中。它们不是按照一定的技术规范执行。真正的高端设计师听产品在发展的各个阶段。真正的设计师设计的开关和测试多种技术来实现一个目标：复制最好的“生活经验”的可能。这导致一个热心奉献的调查，涉及数百个小时的听力，除了一个一丝不苟的各因素对声音的影响。Often they replace a component with a more expensive replacement, sacrificing profit margin to offer a better quality for the same price. 为什么？Because the high-end designer is deeply committed to the music and her reproduction.
On the other hand, the mass products of the big electronics companies are designed from the thought of having to perform ‘on paper’ - by means of the technical specifications of the device - to the expense of sound quality. A prime example of this is the “THD-war” from the 1970s and 1980s. THD means ‘Total Harmonic Distortion’, a specification which is used as a standard for the quality of an amplifier by inexperienced consumers. The lower the THD-value, the better the amplifier was thought to be. This brought about a race between large corporations to bring products on the market with increasingly lower THD-values. In the end, it became a race to see which brand had the most zeroes behind the comma (e.g. 0,001% THD). 许多消费者买他们的接收机或放大器仅基于该值。
即使低THD值是一个值得称道的设计目标，并作为一个结果，来实现这些低值的方法造成大的问题。一个推低THD值的技术被称为“反馈”。这意味着，该放大器的输出信号的一部分反馈到输入。大量的反馈减少谐波失真，但同时造成的问题影响了放大器的质量。但这些大电子公司觉得这个过程影响质量？绝对不。唯一重要的是生产的产品将大批量出售。They made a trade-off, sacrificing musical performance for a meaningless technical specification, which was sold to the audience as being of great importance. Buyers who purchased audio components based on a piece of paper stating technical details were stuck with a mediocre or bad performing sound system. Ironically, amplifiers with the lowers THD-values possessed the lowest quality too.
This example illustrates the enormous difference between producers who produce for the masses and the high-end designers. The latter care much more about how the product sounds, rather than how it performs ‘on paper’. They also know that their clientele will only purchase based on what they hear, not based on specifications.
High-end audio products are not designed just by the ear, often they are hand-assembled by skilled craftsmen who take pride in the products they craft. Often they are audiophiles as well, crafting with the same care and precision as if they were building for themselves. 这种精确的对细节的关注，结果是更好的施工质量。更好的建设质量不仅可以带来更好的声音质量的组成部分，也是一个较长的可靠性和磨损较少的迹象。最重要的是，一方面建立了高质量的组件可以给人一种自豪感，大批量生产的部件不能生产将无法达到。
高端产品往往是由一个更好的客户服务而中期FI生产者。因为高端生产者更关心自己的产品和客户，他们一般提供更长的质量保证、更容易维护和更换程序和更好的服务。高端生产者维修没有保证的产品它是不寻常的，免费的。这并不意味着它是一个给定的事实；它只是说，它发生在高端而无法想象的大量产品。高端企业关心自己的客户。
These characteristics also apply to high-end retailers. The high-end retailer shares that passion for music reproduction that you have and the adds the wish to offer you a good service. When you are used to buying audio at the large electronics warehouse, you will be pleasantly surprised when you visit a real high-end retailer. Instead of trying to sell you something which just does not suit you or your system, the high-end retailer will view it as his or her responsibility to compose a system that will satisfy your needs best for the longest time possible. Such a retailer will prioritise your musical satisfaction rather than selling the ‘offer of the month’.
Finally, high-end audio could originate from everywhere in the world; the Netherlands, Greece or Brazil just as easy as Japan. The best audio devices do not automatically originate from Japan or the United States.
Seen from a deeper point of view I think that high-end audio products differ fundamentally from mass products. 他们从出生那一刻（在纸上或是在设计师的头脑）他们在不同的设计目标，设计，建设，营销甚至组件被使用的方法使所有的差异，当比较高端的音频组件中FI的表亲。
现在我们知道将一个高端的企业一个共同的电子仓库：关怀的态度，高端设计师接洽的音乐。高端设计师不做框，可以出售任何国内或贸易产品一样；他或她使乐器，它的性能具有决定性的影响的方式，他或她的客户体验的音乐。高端组件是一个深深的迷恋和关注它的音乐再现精度是描绘的物理表现，包括满足买方将他或她自己的经验。
高端设计师工艺制品，以他或她会听家里。因为他或她在乎音乐，重要的是他或她有未知的听众，远在千公里可能享受音乐。更大的参与听众的音乐，好的设计师做了他或她的工作。
一个著名的设计师的数字处理器是这奉献的实例。In a new design they placed a resistor with a price of about one euro (rather than the usual cents that were previously spent on such a resistor component). By the time the product was ready to go into production, the designer sought ways how to further increase the quality of the product. By means of trial and error he found an exotic resistor, with a price of ten Euros. He was surprised to hear how much this was an improvement and could not stand that the product be sold with the one euro resistor. The production was changed to include this better resistor, even though the retail price was already set based on the previous lower costs per unit. High-end designers strive to add quality to their products, rather than low costs per unit.
In the eyes of high-end designer is the electronic or mechanical design not just a technical matter; it is also an act of love and devotion. It is for surprising to those who are not used to such an approach, in which every aspect of the design of a component - both technical and musical - is explored. The ethos of the reproduction of music reaches to the core of the existence of the high-end designer: it does not concern a job for which he or she must show up to work daily. The result for the listener is the manifestation of a substantially more powerful and intimate involvement with the music, than is possible with equipment which was designed without this form of devotion.
What is high-end audio?
What is high-end sound?
It arises when the audio system is forgotten, seemingly and nearly unperceived it got replaced by the artists in your room. It is present when the artist or composer speaks to you through time and space. It is nearly tangible when you feel the conciliatory physical sensation during a musical climax. It is an indescribable rollercoaster of emotions which the composer has somehow coded to a combination of sounds. 它是有形的物质世界的短暂消失，让你的意识落后只是伴随着音乐。
这是高端音频的真正含义…
来源：音景（http://www.soundscapes.nu/high-end.htm）现场电缆编辑
