荷兰 live cable 现场拉阔 spc 信号线
HIGH END
The aim of Live Cable is to strive for highest feasible musical quality
This aim has been reached after more than four years of continuous designing and testing with a number of high-quality products such as distributors and power cords. 高质量不仅形成了我们自己的经验，评论家和记者也听过电缆产品说的启示。生活追求的理念是电缆设计和制造的一切。我们相信，只有这样，高质量的完成可以保证。
我们的产品是建立不妥协。
带电电缆不为首的商业理念来获得在某一位置（价格）段。因此，我们的质量是不受市场需求的影响，因为那时质量优惠产生的危险。我们开发了从一个虽然：不妥协…
技法
所有的电缆产品，无一例外，都是由最优质的原材料。无论是电源线与接线盒与几种特别扭曲的字符串与一个直径16awg各建，现有从5N银（高纯度银）。避免接触你发现我们产品的任何形式的焊料融合。所有的连接创建的“冷”。结合材料，这种方式没有接触电阻。这些环节我们使用24克拉镀金连接在其他的事情上5N银布线和铑端子上的签名和s.p.c.电源线与接线盒。然后所有导电电缆和连接是通过高质量的双组分聚氨酯体筛选。这样做是为了吸收和避免干扰。
The housing of Live the Cable S.P.C junction box is made of 8mm special aluminium alloy. The housing of the Signature junction box is 12mm. In order to further reduce or avoid the influence of interference the S.P.C. junction box is protected by a 0,5mm copper cage within. The Signature junction box cages are doubled to 1,0mm of copper on all sides. The weight of the junction boxes are therefore relatively high 7,4kg (16lb) and 16kg (35lb) respectively. This weight is carried by - made of the same aluminium alloy - spikes and dishes which increases stability and dampening at good.
The aim of Live Cable is to strive for highest feasible musical quality
This aim has been reached after more than four years of continuous designing and testing with a number of high-quality products such as distributors and power cords. 高质量不仅形成了我们自己的经验，评论家和记者也听过电缆产品说的启示。生活追求的理念是电缆设计和制造的一切。我们相信，只有这样，高质量的完成可以保证。
我们的产品是建立不妥协。
带电电缆不为首的商业理念来获得在某一位置（价格）段。因此，我们的质量是不受市场需求的影响，因为那时质量优惠产生的危险。我们开发了从一个虽然：不妥协…
技法
所有的电缆产品，无一例外，都是由最优质的原材料。无论是电源线与接线盒与几种特别扭曲的字符串与一个直径16awg各建，现有从5N银（高纯度银）。避免接触你发现我们产品的任何形式的焊料融合。所有的连接创建的“冷”。结合材料，这种方式没有接触电阻。这些环节我们使用24克拉镀金连接在其他的事情上5N银布线和铑端子上的签名和s.p.c.电源线与接线盒。然后所有导电电缆和连接是通过高质量的双组分聚氨酯体筛选。这样做是为了吸收和避免干扰。
The housing of Live the Cable S.P.C junction box is made of 8mm special aluminium alloy. The housing of the Signature junction box is 12mm. In order to further reduce or avoid the influence of interference the S.P.C. junction box is protected by a 0,5mm copper cage within. The Signature junction box cages are doubled to 1,0mm of copper on all sides. The weight of the junction boxes are therefore relatively high 7,4kg (16lb) and 16kg (35lb) respectively. This weight is carried by - made of the same aluminium alloy - spikes and dishes which increases stability and dampening at good.
All Live Cable products are accurately calculated to 0,01mm (a tenth of the thickness of a human hair).
With the same precision the parts are milled from aluminium and copper.
如果最终的结果是没有设置这个标准，重新编程的完美归宿800 900规范。
尖峰和带有接线盒的菜都是由相同的特殊铝合金接线盒本身。
什么是高端音频和高端的声音是什么？
高端音频是激情，激情的音乐，这是如何再现。
高端音频搜索重现，在听众的家、作曲家或艺术家的音乐信息，添加一个现实主义的最大金额，情感强度。因为音乐是很重要的，这个再造尽量贴近生活的经验是非常重要的。高端音频产品包括音乐再现，分享一点相似的“音响”在正规超市销售的电子部件的组合。一种音乐再现系统就像一个巨大的车辆表达我们的情感和智力的音乐已被记录在我们的唱片和CD复制的质量更高的潜力，深入到音乐的连接。
高端气质，音乐质量的再现音乐很重要-表现在高端音频组件。他们是由专门的人，热情的结合技术与构建组件，使听众更接近生活经验一步音乐敏感性。高端产品与耳设计和构建的手。他们存在的唯一理由：提高听音乐的经验。
许多HIFI消费者中一个常见的误解是高端音频等于昂贵的音频图片。对于大众，高端音频无非是复杂的音频设备有许多豪华的选项和价格标签为百万富翁！普遍的共识是，性能可能会“好一点”相比，卖了街角的音响，但谁能承受这样的事情？此外，高档音响是专为训练的听众，硬件和数码产品发烧友的势利，但不是一般的男人或女人。
High-end audio is nothing like that! First, the term ‘high-end’ is about the performance of the product, not its price. Many high-end systems do not cost much more than the all-in-one systems from the local stores. I have listened to many relatively cheap systems, which comprise the essence of music reproduction and stays within the budget constraint of the average consumer. Even though high-end audio components can indeed be very valuable, it does not mean a second mortgage is required for some quality reproduction. An amazing audio system can be less expensive than you might think, if you are prepared to think about all the other aspects which are of importance. Acoustics for example, need to be seen as a separate component in the chain of audio reproduction.
Second, high-end audio is about the transfer of the musical message; it is not about luxurious options. In fact, high-end systems are often much more user-friendly than most mid-fi systems produced en masse. This is due to the fact that high-end ethics require the removal of all non-essential and useless functions, instead focussing all resources on the quality of the sound. High-end audio is made for those with a love of music, not electronics.
Third; everyone who loves music can immediately recognize a quality product. There is no need for a ‘golden-ear’ to hear what has a good sound.The differences between good and average music reproductions are clear. The reaction - usually an expression of delight or surprised satisfaction - of someone who hears a high-end audio system for the first time, underlines that high-end audio is appreciated by everyone. If you like music, you will love a high-end system. 那么简单。
最后但并非最不重要的，高端的音频应该是让音频设备'消失'。当这种情况发生时，我们知道我们面对的是最高等级的作曲家和听众之间的交流，我们可以实现。高端音频不是音频设备；它是关于音乐。
少即是多…
高端的信条假定少音乐信号转变，更好的是。每一个电子电路，线的每一个音调控制或开关信号，从而影响音乐体验。这就是为什么你会找不到图形均衡器，空间增强，分谐波合成器或其他噱头这个口径在高端设备。These things do not only take time and resources which could be spent on bringing the music to life, they also add abundant electronics to the signal. By minimising the amount of electronics and contacts between you and the composer, high-end audio products can maximize the directness of the musical experience.
Picture yourself staring towards the vast Grand Canyon, overwhelmed by the grandeur of the scene (the photograph on the right is one of Ansel Adams’ masterpieces). You do not experience just the vastness of this massive sculpture carved from the depths of the earth, but you also experience the subtle details from the very much alive landscape. You can see the fine degrees of colour and hue from within the rock. Even more subtle details of the giant rock formations are simply distinguished by looking at it, causing your perception to deepen and enhance. Contrasts between light and shadow expose the seemingly unending network of cracks and abysses. The longer and better you look, the more you see. 感性动机纯粹的财富让你在边缘冻结，深深尊重自然的不可思议的美。
高端音频是激情，激情的音乐，这是如何再现。
高端音频搜索重现，在听众的家、作曲家或艺术家的音乐信息，添加一个现实主义的最大金额，情感强度。因为音乐是很重要的，这个再造尽量贴近生活的经验是非常重要的。高端音频产品包括音乐再现，分享一点相似的“音响”在正规超市销售的电子部件的组合。一种音乐再现系统就像一个巨大的车辆表达我们的情感和智力的音乐已被记录在我们的唱片和CD复制的质量更高的潜力，深入到音乐的连接。
高端气质，音乐质量的再现音乐很重要-表现在高端音频组件。他们是由专门的人，热情的结合技术与构建组件，使听众更接近生活经验一步音乐敏感性。高端产品与耳设计和构建的手。他们存在的唯一理由：提高听音乐的经验。
许多HIFI消费者中一个常见的误解是高端音频等于昂贵的音频图片。对于大众，高端音频无非是复杂的音频设备有许多豪华的选项和价格标签为百万富翁！普遍的共识是，性能可能会“好一点”相比，卖了街角的音响，但谁能承受这样的事情？此外，高档音响是专为训练的听众，硬件和数码产品发烧友的势利，但不是一般的男人或女人。
High-end audio is nothing like that! First, the term ‘high-end’ is about the performance of the product, not its price. Many high-end systems do not cost much more than the all-in-one systems from the local stores. I have listened to many relatively cheap systems, which comprise the essence of music reproduction and stays within the budget constraint of the average consumer. Even though high-end audio components can indeed be very valuable, it does not mean a second mortgage is required for some quality reproduction. An amazing audio system can be less expensive than you might think, if you are prepared to think about all the other aspects which are of importance. Acoustics for example, need to be seen as a separate component in the chain of audio reproduction.
Second, high-end audio is about the transfer of the musical message; it is not about luxurious options. In fact, high-end systems are often much more user-friendly than most mid-fi systems produced en masse. This is due to the fact that high-end ethics require the removal of all non-essential and useless functions, instead focussing all resources on the quality of the sound. High-end audio is made for those with a love of music, not electronics.
Third; everyone who loves music can immediately recognize a quality product. There is no need for a ‘golden-ear’ to hear what has a good sound.The differences between good and average music reproductions are clear. The reaction - usually an expression of delight or surprised satisfaction - of someone who hears a high-end audio system for the first time, underlines that high-end audio is appreciated by everyone. If you like music, you will love a high-end system. 那么简单。
最后但并非最不重要的，高端的音频应该是让音频设备'消失'。当这种情况发生时，我们知道我们面对的是最高等级的作曲家和听众之间的交流，我们可以实现。高端音频不是音频设备；它是关于音乐。
少即是多…
高端的信条假定少音乐信号转变，更好的是。每一个电子电路，线的每一个音调控制或开关信号，从而影响音乐体验。这就是为什么你会找不到图形均衡器，空间增强，分谐波合成器或其他噱头这个口径在高端设备。These things do not only take time and resources which could be spent on bringing the music to life, they also add abundant electronics to the signal. By minimising the amount of electronics and contacts between you and the composer, high-end audio products can maximize the directness of the musical experience.
Picture yourself staring towards the vast Grand Canyon, overwhelmed by the grandeur of the scene (the photograph on the right is one of Ansel Adams’ masterpieces). You do not experience just the vastness of this massive sculpture carved from the depths of the earth, but you also experience the subtle details from the very much alive landscape. You can see the fine degrees of colour and hue from within the rock. Even more subtle details of the giant rock formations are simply distinguished by looking at it, causing your perception to deepen and enhance. Contrasts between light and shadow expose the seemingly unending network of cracks and abysses. The longer and better you look, the more you see. 感性动机纯粹的财富让你在边缘冻结，深深尊重自然的不可思议的美。
听音乐的一个平庸的音响设备播放一样盯着大峡谷通过夹层玻璃。在音频再现-链的每一个分量的CD播放器，前置放大器，末级放大器，扬声器和电缆连接一切改革的信号的吞吐量。这是不可避免的。一个设备可以躺在粗粒的个别乐器的纹理。另一个装置带来了响亮和软通道之间的动态对比度，使作曲家的动态表达被削弱。另一个组件上厚，暗霜在音乐，造成微妙的子色调杂色被破坏，所有的仪器都“倒”在毫无意义的音色。最后，它削弱了窗框的意思；完整的电子和机械显示系统的规模或大小，描述了艺术家的艺术内涵。
高端音频是消除许多层玻璃，让各层的剩余部分尽可能透明。低层和不影响信息传递的流程有这层，我们就越接近于真实的体验和更深的我们连接到音乐信息。
为什么高端音频产品更透明的窗户盯着音乐的发生比普通的立体声设备随处可见？高端产品的设计，很好的意思，在现实生活中。它们不是按照一定的技术规范执行。真正的高端设计师听产品在发展的各个阶段。真正的设计师设计的开关和测试多种技术来实现一个目标：复制最好的“生活经验”的可能。这导致一个热心奉献的调查，涉及数百个小时的听力，除了一个一丝不苟的各因素对声音的影响。他们经常更换部件与更昂贵的更换，牺牲利润以同样的价格提供更好的质量。为什么？因为高端设计师致力于音乐和她的繁殖。
另一方面，大的电子公司的大众产品的设计，从思想上要进行“纸”上用的设备的技术规范是指声音质量的费用。一个最好的例子就是“一战”从上世纪70年代和80年代，总谐波失真THD手段，规范作为没有经验的消费者一个放大器的质量标准。较低的THD值，更好的放大器被认为是。这带来了之间的大公司带来的产品在市场上越来越低的THD值比赛。最后，它成为一个比赛看哪个品牌最有零后面的逗号（如0001的THD）。Many consumer bought their receivers or amplifiers based solely on this value.
Even though a low THD-value is a commendable design goal, it did cause a big problem as a result of the methods used to realise these low values. One technique for pushing down the THD-value is called the ‘feedback’. This means that a part of the output signal of the amplifier is feedback to the input. Large quantities of feedback diminish THD, but at the same time cause problems which affect the quality of the amplifier.But did these big electronics companies feel bad about this process affecting quality? Absolutely not. The only thing that mattered was producing a product which would sell in large quantities. They made a trade-off, sacrificing musical performance for a meaningless technical specification, which was sold to the audience as being of great importance. Buyers who purchased audio components based on a piece of paper stating technical details were stuck with a mediocre or bad performing sound system. Ironically, amplifiers with the lowers THD-values possessed the lowest quality too.
This example illustrates the enormous difference between producers who produce for the masses and the high-end designers. The latter care much more about how the product sounds, rather than how it performs ‘on paper’. They also know that their clientele will only purchase based on what they hear, not based on specifications.
High-end audio products are not designed just by the ear, often they are hand-assembled by skilled craftsmen who take pride in the products they craft. Often they are audiophiles as well, crafting with the same care and precision as if they were building for themselves. This accurate attention to detail results in better construction or quality. Better build quality can not only lead to better sound quality of the component, but also to a longer period of reliability and less signs of wearing out. On top of that, hand-built high quality components can give the owner a sense of pride to which the producers of mass-produced components cannot and will not reach.
High-end products are often backed by a better customer service compared to mid-fi producers. Because high-end producers care more about their products and clientele, they generally offer longer warrantees, easier maintenance and replacements routines and better service. It is not unusual for high-end producers to repair products which have no warrantee, free of charge. This does not mean that it is a given fact; it only says that it happens in high-end whilst being unthinkable with mass products. High-end enterprises care about their customers.
这些特点也适用于高端零售商。高端零售商的股票，对音乐的热情再现，你已经和将要给你一个好的服务。当你习惯于在大型电子仓库音频购买，你会惊喜当你访问一个真正的高端零售商。而不是试图卖给你一些东西，只是不适合你或你的系统，高端零售商将它视为自己的责任，组成一个系统，将满足您的需求的最佳时间最长的可能。这样的零售商将把你的音乐满意而不是卖这个月的“提供”。
最后，高端音频可能来自世界各地；荷兰，希腊或巴西就像日本一样容易。最好的音频设备不会自动来自日本或美国。
从更深的层面来看我认为高端音频产品从根本上不同质量的产品。他们从出生那一刻（在纸上或是在设计师的头脑）他们在不同的设计目标，设计，建设，营销甚至组件被使用的方法使所有的差异，当比较高端的音频组件中FI的表亲。
现在我们知道将一个高端的企业一个共同的电子仓库：关怀的态度，高端设计师接洽的音乐。高端设计师不做框，可以出售任何国内或贸易产品一样；他或她使乐器，它的性能具有决定性的影响的方式，他或她的客户体验的音乐。高端组件是一个深深的迷恋和关注它的音乐再现精度是描绘的物理表现，包括满足买方将他或她自己的经验。
高端设计师工艺制品，以他或她会听家里。因为他或她在乎音乐，重要的是他或她有未知的听众，远在千公里可能享受音乐。更大的参与听众的音乐，好的设计师做了他或她的工作。
一个著名的设计师的数字处理器是这奉献的实例。In a new design they placed a resistor with a price of about one euro (rather than the usual cents that were previously spent on such a resistor component). By the time the product was ready to go into production, the designer sought ways how to further increase the quality of the product. By means of trial and error he found an exotic resistor, with a price of ten Euros. He was surprised to hear how much this was an improvement and could not stand that the product be sold with the one euro resistor. The production was changed to include this better resistor, even though the retail price was already set based on the previous lower costs per unit. High-end designers strive to add quality to their products, rather than low costs per unit.
In the eyes of high-end designer is the electronic or mechanical design not just a technical matter; it is also an act of love and devotion. It is for surprising to those who are not used to such an approach, in which every aspect of the design of a component - both technical and musical - is explored. 对音乐再现的精神到达的高端设计师存在的核心：它不关心工作，他或她必须上班，每天。对于听众的结果是一个更强大的音乐参与和亲密的表现，可能比设备被设计没有这种形式的奉献。
高档音响是什么？
高端是什么声音？
这是当音频系统是遗忘，看似几乎无法得到你房间的艺术家所取代。这是当艺术家或作曲家说你通过时间和空间。当你感到安抚的身体感觉音乐高潮中几乎是有形的。这是一种难以形容的情绪的过山车，作曲家已经编码的声音的结合。It is tangible as the physical world briefly disappears, leaving your consciousness behind accompanied only by the music.
That is the true meaning of high-end audio…
Source: SoundScapes (http://www.soundscapes.nu/high-end.htm) Edited by Live Cable
高端音频是消除许多层玻璃，让各层的剩余部分尽可能透明。低层和不影响信息传递的流程有这层，我们就越接近于真实的体验和更深的我们连接到音乐信息。
为什么高端音频产品更透明的窗户盯着音乐的发生比普通的立体声设备随处可见？高端产品的设计，很好的意思，在现实生活中。它们不是按照一定的技术规范执行。真正的高端设计师听产品在发展的各个阶段。真正的设计师设计的开关和测试多种技术来实现一个目标：复制最好的“生活经验”的可能。这导致一个热心奉献的调查，涉及数百个小时的听力，除了一个一丝不苟的各因素对声音的影响。他们经常更换部件与更昂贵的更换，牺牲利润以同样的价格提供更好的质量。为什么？因为高端设计师致力于音乐和她的繁殖。
另一方面，大的电子公司的大众产品的设计，从思想上要进行“纸”上用的设备的技术规范是指声音质量的费用。一个最好的例子就是“一战”从上世纪70年代和80年代，总谐波失真THD手段，规范作为没有经验的消费者一个放大器的质量标准。较低的THD值，更好的放大器被认为是。这带来了之间的大公司带来的产品在市场上越来越低的THD值比赛。最后，它成为一个比赛看哪个品牌最有零后面的逗号（如0001的THD）。Many consumer bought their receivers or amplifiers based solely on this value.
Even though a low THD-value is a commendable design goal, it did cause a big problem as a result of the methods used to realise these low values. One technique for pushing down the THD-value is called the ‘feedback’. This means that a part of the output signal of the amplifier is feedback to the input. Large quantities of feedback diminish THD, but at the same time cause problems which affect the quality of the amplifier.But did these big electronics companies feel bad about this process affecting quality? Absolutely not. The only thing that mattered was producing a product which would sell in large quantities. They made a trade-off, sacrificing musical performance for a meaningless technical specification, which was sold to the audience as being of great importance. Buyers who purchased audio components based on a piece of paper stating technical details were stuck with a mediocre or bad performing sound system. Ironically, amplifiers with the lowers THD-values possessed the lowest quality too.
This example illustrates the enormous difference between producers who produce for the masses and the high-end designers. The latter care much more about how the product sounds, rather than how it performs ‘on paper’. They also know that their clientele will only purchase based on what they hear, not based on specifications.
High-end audio products are not designed just by the ear, often they are hand-assembled by skilled craftsmen who take pride in the products they craft. Often they are audiophiles as well, crafting with the same care and precision as if they were building for themselves. This accurate attention to detail results in better construction or quality. Better build quality can not only lead to better sound quality of the component, but also to a longer period of reliability and less signs of wearing out. On top of that, hand-built high quality components can give the owner a sense of pride to which the producers of mass-produced components cannot and will not reach.
High-end products are often backed by a better customer service compared to mid-fi producers. Because high-end producers care more about their products and clientele, they generally offer longer warrantees, easier maintenance and replacements routines and better service. It is not unusual for high-end producers to repair products which have no warrantee, free of charge. This does not mean that it is a given fact; it only says that it happens in high-end whilst being unthinkable with mass products. High-end enterprises care about their customers.
这些特点也适用于高端零售商。高端零售商的股票，对音乐的热情再现，你已经和将要给你一个好的服务。当你习惯于在大型电子仓库音频购买，你会惊喜当你访问一个真正的高端零售商。而不是试图卖给你一些东西，只是不适合你或你的系统，高端零售商将它视为自己的责任，组成一个系统，将满足您的需求的最佳时间最长的可能。这样的零售商将把你的音乐满意而不是卖这个月的“提供”。
最后，高端音频可能来自世界各地；荷兰，希腊或巴西就像日本一样容易。最好的音频设备不会自动来自日本或美国。
从更深的层面来看我认为高端音频产品从根本上不同质量的产品。他们从出生那一刻（在纸上或是在设计师的头脑）他们在不同的设计目标，设计，建设，营销甚至组件被使用的方法使所有的差异，当比较高端的音频组件中FI的表亲。
现在我们知道将一个高端的企业一个共同的电子仓库：关怀的态度，高端设计师接洽的音乐。高端设计师不做框，可以出售任何国内或贸易产品一样；他或她使乐器，它的性能具有决定性的影响的方式，他或她的客户体验的音乐。高端组件是一个深深的迷恋和关注它的音乐再现精度是描绘的物理表现，包括满足买方将他或她自己的经验。
高端设计师工艺制品，以他或她会听家里。因为他或她在乎音乐，重要的是他或她有未知的听众，远在千公里可能享受音乐。更大的参与听众的音乐，好的设计师做了他或她的工作。
一个著名的设计师的数字处理器是这奉献的实例。In a new design they placed a resistor with a price of about one euro (rather than the usual cents that were previously spent on such a resistor component). By the time the product was ready to go into production, the designer sought ways how to further increase the quality of the product. By means of trial and error he found an exotic resistor, with a price of ten Euros. He was surprised to hear how much this was an improvement and could not stand that the product be sold with the one euro resistor. The production was changed to include this better resistor, even though the retail price was already set based on the previous lower costs per unit. High-end designers strive to add quality to their products, rather than low costs per unit.
In the eyes of high-end designer is the electronic or mechanical design not just a technical matter; it is also an act of love and devotion. It is for surprising to those who are not used to such an approach, in which every aspect of the design of a component - both technical and musical - is explored. 对音乐再现的精神到达的高端设计师存在的核心：它不关心工作，他或她必须上班，每天。对于听众的结果是一个更强大的音乐参与和亲密的表现，可能比设备被设计没有这种形式的奉献。
高档音响是什么？
高端是什么声音？
这是当音频系统是遗忘，看似几乎无法得到你房间的艺术家所取代。这是当艺术家或作曲家说你通过时间和空间。当你感到安抚的身体感觉音乐高潮中几乎是有形的。这是一种难以形容的情绪的过山车，作曲家已经编码的声音的结合。It is tangible as the physical world briefly disappears, leaving your consciousness behind accompanied only by the music.
That is the true meaning of high-end audio…
Source: SoundScapes (http://www.soundscapes.nu/high-end.htm) Edited by Live Cable
