荷兰live cable 现场拉阔 permium电源线
高端
现场电缆是争取最高的可行的音乐质量的目的
这个目的已经达到了超过四年的连续设计和测试具有一批高素质的产品如经销商和电源线。High-quality not only formed by our own experiences, reviewers and journalists too have spoken of a revelation after listening to Live Cable products. The philosophy which Live Cable pursues is to devise and manufacture everything itself. We believe that only by doing this, the highest quality and finishing can be guaranteed.
Our products are built without compromise.
Live Cable is not led by the commercial idea to acquire a position in a certain (price)segment. Hence, our quality is not influenced by the market demand, because then the danger of quality concessions arise. We develop from one though: uncompromising…
技法
所有的电缆产品，无一例外，都是由最优质的原材料。无论是电源线与接线盒与几种特别扭曲的字符串与一个直径16awg各建，现有从5N银（高纯度银）。避免接触你发现我们产品的任何形式的焊料融合。所有的连接创建的“冷”。结合材料，这种方式没有接触电阻。这些环节我们使用24克拉镀金连接在其他的事情上5N银布线和铑端子上的签名和s.p.c.电源线与接线盒。然后所有导电电缆和连接是通过高质量的双组分聚氨酯体筛选。这样做是为了吸收和避免干扰。
生活s.p.c电缆接线盒为8mm专用铝合金外壳。签名的接线盒外壳为12mm。为了进一步减少或避免干扰s.p.c.接线盒是受一个0.5毫米铜笼内的影响。签名接线盒笼翻了一番，1,0mm铜四面。该接线盒的重量也因此比较高7,4kg（16lb）在16（35LB）分别。这个重量进行了相同的铝合金道钉和菜增加稳定性和润湿良好。
所有的电缆产品精确计算0,01毫米（第十头发的厚度）。
在相同精度的零件采用铝和铜。
如果最终的结果是没有设置这个标准，重新编程的完美归宿800 900规范。
尖峰和带有接线盒的菜都是由相同的特殊铝合金接线盒本身。
什么是高端音频和高端的声音是什么？
高端音频是激情，激情的音乐，这是如何再现。
高端音频搜索重现，在听众的家、作曲家或艺术家的音乐信息，添加一个现实主义的最大金额，情感强度。因为音乐是很重要的，这个再造尽量贴近生活的经验是非常重要的。高端音频产品包括音乐再现，分享一点相似的“音响”在正规超市销售的电子部件的组合。一种音乐再现系统就像一个巨大的车辆表达我们的情感和智力的音乐已被记录在我们的唱片和CD复制的质量更高的潜力，深入到音乐的连接。
The high-end ethos - that music and the quality of the reproduction of music are very important - is expressed in high-end audio components.They are designed by devoted, enthusiastic people who combine both technical skill with musical sensitivity to construct components which bring its listeners one step closer to the live experience. High-end products are designed with the ear and build by hand. They exists for one sole reason: to enhance the experience of listening to music.
A common misunderstanding among many hifi consumers is the picture that high-end audio equals expensive audio. To the masses, high-end audio is nothing more than complicated audio devices with many luxurious options and a price tag aimed for millionaires! The general consensus is that the performance might be “a little better” compared to the hifi sold around the corner, but who can afford something like that? Besides, high-end audio is considered to be exclusive for trained listeners, snobs of hardware and gadget freaks, but not for the average man or woman.
High-end audio is nothing like that! First, the term ‘high-end’ is about the performance of the product, not its price. Many high-end systems do not cost much more than the all-in-one systems from the local stores. I have listened to many relatively cheap systems, which comprise the essence of music reproduction and stays within the budget constraint of the average consumer. Even though high-end audio components can indeed be very valuable, it does not mean a second mortgage is required for some quality reproduction. An amazing audio system can be less expensive than you might think, if you are prepared to think about all the other aspects which are of importance. Acoustics for example, need to be seen as a separate component in the chain of audio reproduction.
Second, high-end audio is about the transfer of the musical message; it is not about luxurious options. 事实上，高端的系统往往比大多数中音响系统产生的集体用户更加方便。这是由于高端伦理要求所有非必要的和无用的功能去除，而是集中所有资源对声音的质量。高端音频是为那些热爱音乐，不是电子。
第三；每个人都喜欢的音乐可以立即识别产品质量。有没有必要为一个“金耳朵”听到有声音。好的音乐是清晰的平均复制品之间的差异。该反应通常是一个表达喜悦或惊讶的人第一次听到的高端音频系统的满意度，强调高端音频是每个人都欣赏。如果你喜欢音乐，你会爱上一个高端系统。Easy as that.
And last but not least, high-end audio is supposed to let the audio equipment ‘disappear’. When this occurs, we know that we are dealing with the highest possible grade of communication between composer and listener that we can achieve. High-end audio is not about audio equipment; it is about music.
Less is more…
The high-end creed assumes that the less the music signal is reshaped, the better it is. Every electronic circuit, every piece of wire, the tone control or a switch affect the signal and thus the musical experience. That is why you will not find graphical equalizers, spatial enhancers, sub harmonic synthesizers or any other gimmicks of this calibre in high-end equipment. 这些东西不只是需要时间，这可能是花在把生命的音乐资源，他们也增加了丰富的电子信号。通过减少电子接触你和作曲家之间的量，高端产品可以最大限度地发挥音乐体验的直接性。
想象自己对盯着广阔的大峡谷，被那壮美的一幕（右边的照片是安塞尔·伊士顿·亚当斯的代表作）。你不经历只是这个巨大的雕塑雕刻从地球深处的浩瀚，但你也经历了微妙的细节从非常活跃的景观。你可以从中看到岩石的颜色和色调的精细度。即使是巨大的岩石更微妙的细节，只是看着它区分开来，使你的知觉的深化和提升。对比光线和阴影暴露裂缝和深渊的看似无止境的网络。的时间越长，你越看，你越看。感性动机纯粹的财富让你在边缘冻结，深深尊重自然的不可思议的美。
高端音频是激情，激情的音乐，这是如何再现。
高端音频搜索重现，在听众的家、作曲家或艺术家的音乐信息，添加一个现实主义的最大金额，情感强度。因为音乐是很重要的，这个再造尽量贴近生活的经验是非常重要的。高端音频产品包括音乐再现，分享一点相似的“音响”在正规超市销售的电子部件的组合。一种音乐再现系统就像一个巨大的车辆表达我们的情感和智力的音乐已被记录在我们的唱片和CD复制的质量更高的潜力，深入到音乐的连接。
The high-end ethos - that music and the quality of the reproduction of music are very important - is expressed in high-end audio components.They are designed by devoted, enthusiastic people who combine both technical skill with musical sensitivity to construct components which bring its listeners one step closer to the live experience. High-end products are designed with the ear and build by hand. They exists for one sole reason: to enhance the experience of listening to music.
A common misunderstanding among many hifi consumers is the picture that high-end audio equals expensive audio. To the masses, high-end audio is nothing more than complicated audio devices with many luxurious options and a price tag aimed for millionaires! The general consensus is that the performance might be “a little better” compared to the hifi sold around the corner, but who can afford something like that? Besides, high-end audio is considered to be exclusive for trained listeners, snobs of hardware and gadget freaks, but not for the average man or woman.
High-end audio is nothing like that! First, the term ‘high-end’ is about the performance of the product, not its price. Many high-end systems do not cost much more than the all-in-one systems from the local stores. I have listened to many relatively cheap systems, which comprise the essence of music reproduction and stays within the budget constraint of the average consumer. Even though high-end audio components can indeed be very valuable, it does not mean a second mortgage is required for some quality reproduction. An amazing audio system can be less expensive than you might think, if you are prepared to think about all the other aspects which are of importance. Acoustics for example, need to be seen as a separate component in the chain of audio reproduction.
Second, high-end audio is about the transfer of the musical message; it is not about luxurious options. 事实上，高端的系统往往比大多数中音响系统产生的集体用户更加方便。这是由于高端伦理要求所有非必要的和无用的功能去除，而是集中所有资源对声音的质量。高端音频是为那些热爱音乐，不是电子。
第三；每个人都喜欢的音乐可以立即识别产品质量。有没有必要为一个“金耳朵”听到有声音。好的音乐是清晰的平均复制品之间的差异。该反应通常是一个表达喜悦或惊讶的人第一次听到的高端音频系统的满意度，强调高端音频是每个人都欣赏。如果你喜欢音乐，你会爱上一个高端系统。Easy as that.
And last but not least, high-end audio is supposed to let the audio equipment ‘disappear’. When this occurs, we know that we are dealing with the highest possible grade of communication between composer and listener that we can achieve. High-end audio is not about audio equipment; it is about music.
Less is more…
The high-end creed assumes that the less the music signal is reshaped, the better it is. Every electronic circuit, every piece of wire, the tone control or a switch affect the signal and thus the musical experience. That is why you will not find graphical equalizers, spatial enhancers, sub harmonic synthesizers or any other gimmicks of this calibre in high-end equipment. 这些东西不只是需要时间，这可能是花在把生命的音乐资源，他们也增加了丰富的电子信号。通过减少电子接触你和作曲家之间的量，高端产品可以最大限度地发挥音乐体验的直接性。
想象自己对盯着广阔的大峡谷，被那壮美的一幕（右边的照片是安塞尔·伊士顿·亚当斯的代表作）。你不经历只是这个巨大的雕塑雕刻从地球深处的浩瀚，但你也经历了微妙的细节从非常活跃的景观。你可以从中看到岩石的颜色和色调的精细度。即使是巨大的岩石更微妙的细节，只是看着它区分开来，使你的知觉的深化和提升。对比光线和阴影暴露裂缝和深渊的看似无止境的网络。的时间越长，你越看，你越看。感性动机纯粹的财富让你在边缘冻结，深深尊重自然的不可思议的美。
听音乐的一个平庸的音响设备播放一样盯着大峡谷通过夹层玻璃。在音频再现-链的每一个分量的CD播放器，前置放大器，末级放大器，扬声器和电缆连接一切改革的信号的吞吐量。这是不可避免的。一个设备可以躺在粗粒的个别乐器的纹理。另一个装置带来了响亮和软通道之间的动态对比度，使作曲家的动态表达被削弱。另一个组件上厚，暗霜在音乐，造成微妙的子色调杂色被破坏，所有的仪器都“倒”在毫无意义的音色。最后，它削弱了窗框的意思；完整的电子和机械显示系统的规模或大小，描述了艺术家的艺术内涵。
高端音频是消除许多层玻璃，让各层的剩余部分尽可能透明。低层和不影响信息传递的流程有这层，我们就越接近于真实的体验和更深的我们连接到音乐信息。
为什么高端音频产品更透明的窗户盯着音乐的发生比普通的立体声设备随处可见？高端产品的设计，很好的意思，在现实生活中。它们不是按照一定的技术规范执行。真正的高端设计师听产品在发展的各个阶段。真正的设计师设计的开关和测试多种技术来实现一个目标：复制最好的“生活经验”的可能。这导致一个热心奉献的调查，涉及数百个小时的听力，除了一个一丝不苟的各因素对声音的影响。他们经常更换部件与更昂贵的更换，牺牲利润以同样的价格提供更好的质量。为什么？因为高端设计师致力于音乐和她的繁殖。
另一方面，大的电子公司的大众产品的设计，从思想上要进行“纸”上用的设备的技术规范是指声音质量的费用。一个最好的例子就是“一战”从上世纪70年代和80年代，总谐波失真THD手段，规范作为没有经验的消费者一个放大器的质量标准。较低的THD值，更好的放大器被认为是。这带来了之间的大公司带来的产品在市场上越来越低的THD值比赛。最后，它成为一个比赛看哪个品牌最有零后面的逗号（如0001的THD）。许多消费者买他们的接收机或放大器仅基于该值。
即使低THD值是一个值得称道的设计目标，并作为一个结果，来实现这些低值的方法造成大的问题。一个推低THD值的技术被称为“反馈”。这意味着，该放大器的输出信号的一部分反馈到输入。大量的反馈减少谐波失真，但同时造成的问题影响了放大器的质量。但这些大电子公司觉得这个过程影响质量？绝对不。唯一重要的是生产的产品将大批量出售。他们做了一个权衡，牺牲音乐的表现意义的技术规范，并作为重要卖给观众。谁购买基于一张纸说明技术细节音频组件的买家都陷入平庸或不良的音响系统。具有讽刺意味的是，与降低THD值具有最低的质量太放大器。
这个例子说明了谁生产的群众和高端的设计者、生产者之间的巨大差异。后者更关心产品如何的声音，而不是它是如何执行的“纸”上。他们也知道，他们的客户只会根据他们听到的购买，不是基于规格。
高端音频产品的不只是耳朵的设计，他们往往是由熟练技工手工引以为傲的产品装配工艺。他们往往是发烧友一样，制作具有同样的照顾和精度，如果他们为自己修建。这种精确的对细节的关注，结果是更好的施工质量。更好的建设质量不仅可以带来更好的声音质量的组成部分，也是一个较长的可靠性和磨损较少的迹象。最重要的是，一方面建立了高质量的组件可以给人一种自豪感，大批量生产的部件不能生产将无法达到。
高端产品往往是由一个更好的客户服务而中期FI生产者。Because high-end producers care more about their products and clientele, they generally offer longer warrantees, easier maintenance and replacements routines and better service. It is not unusual for high-end producers to repair products which have no warrantee, free of charge. This does not mean that it is a given fact; it only says that it happens in high-end whilst being unthinkable with mass products. High-end enterprises care about their customers.
These characteristics also apply to high-end retailers. The high-end retailer shares that passion for music reproduction that you have and the adds the wish to offer you a good service. When you are used to buying audio at the large electronics warehouse, you will be pleasantly surprised when you visit a real high-end retailer. Instead of trying to sell you something which just does not suit you or your system, the high-end retailer will view it as his or her responsibility to compose a system that will satisfy your needs best for the longest time possible. Such a retailer will prioritise your musical satisfaction rather than selling the ‘offer of the month’.
Finally, high-end audio could originate from everywhere in the world; the Netherlands, Greece or Brazil just as easy as Japan. The best audio devices do not automatically originate from Japan or the United States.
Seen from a deeper point of view I think that high-end audio products differ fundamentally from mass products. From the moment they are born (either on paper or in the mind of the designer) they differ in design goal, design itself, construction, marketing and even the way the components are being used makes all the difference when comparing high-end audio components to their mid-fi cousins.
Now we know what separates a high-end enterprise to a common electronics warehouse: the caring attitude to which the high-end designer approaches the music. 高端设计师不做框，可以出售任何国内或贸易产品一样；他或她使乐器，它的性能具有决定性的影响的方式，他或她的客户体验的音乐。高端组件是一个深深的迷恋和关注它的音乐再现精度是描绘的物理表现，包括满足买方将他或她自己的经验。
高端设计师工艺制品，以他或她会听家里。因为他或她在乎音乐，重要的是他或她有未知的听众，远在千公里可能享受音乐。更大的参与听众的音乐，好的设计师做了他或她的工作。
一个著名的设计师的数字处理器是这奉献的实例。在一个新的设计，他们把一个电阻和一个价格约一欧元（而不是通常的美分，以前花在这样一个电阻元件）。当产品准备投入生产，设计师寻求如何进一步提高产品的质量。他发现了一个奇特的电阻的试验和错误的方法，以十欧元的价格。令他惊讶的是多少，这是一种进步和无法忍受的产品卖一欧元的电阻。生产了包括更好的电阻，即使零售价格已经设置的基础上，降低单位成本。高端设计师努力丰富自己的产品，而不是单位成本低。
在高端设计师眼中是电子或机械设计不仅仅是一个技术问题；也正是爱与奉献的行为。它是为那些不习惯这样的做法令人惊讶，其中一个组件技术和音乐的设计各方面进行了探讨。The ethos of the reproduction of music reaches to the core of the existence of the high-end designer: it does not concern a job for which he or she must show up to work daily. The result for the listener is the manifestation of a substantially more powerful and intimate involvement with the music, than is possible with equipment which was designed without this form of devotion.
What is high-end audio?
What is high-end sound?
It arises when the audio system is forgotten, seemingly and nearly unperceived it got replaced by the artists in your room. It is present when the artist or composer speaks to you through time and space. It is nearly tangible when you feel the conciliatory physical sensation during a musical climax. It is an indescribable rollercoaster of emotions which the composer has somehow coded to a combination of sounds. It is tangible as the physical world briefly disappears, leaving your consciousness behind accompanied only by the music.
That is the true meaning of high-end audio…
Source: SoundScapes (http://www.soundscapes.nu/high-end.htm) Edited by Live Cable
高端音频是消除许多层玻璃，让各层的剩余部分尽可能透明。低层和不影响信息传递的流程有这层，我们就越接近于真实的体验和更深的我们连接到音乐信息。
为什么高端音频产品更透明的窗户盯着音乐的发生比普通的立体声设备随处可见？高端产品的设计，很好的意思，在现实生活中。它们不是按照一定的技术规范执行。真正的高端设计师听产品在发展的各个阶段。真正的设计师设计的开关和测试多种技术来实现一个目标：复制最好的“生活经验”的可能。这导致一个热心奉献的调查，涉及数百个小时的听力，除了一个一丝不苟的各因素对声音的影响。他们经常更换部件与更昂贵的更换，牺牲利润以同样的价格提供更好的质量。为什么？因为高端设计师致力于音乐和她的繁殖。
另一方面，大的电子公司的大众产品的设计，从思想上要进行“纸”上用的设备的技术规范是指声音质量的费用。一个最好的例子就是“一战”从上世纪70年代和80年代，总谐波失真THD手段，规范作为没有经验的消费者一个放大器的质量标准。较低的THD值，更好的放大器被认为是。这带来了之间的大公司带来的产品在市场上越来越低的THD值比赛。最后，它成为一个比赛看哪个品牌最有零后面的逗号（如0001的THD）。许多消费者买他们的接收机或放大器仅基于该值。
即使低THD值是一个值得称道的设计目标，并作为一个结果，来实现这些低值的方法造成大的问题。一个推低THD值的技术被称为“反馈”。这意味着，该放大器的输出信号的一部分反馈到输入。大量的反馈减少谐波失真，但同时造成的问题影响了放大器的质量。但这些大电子公司觉得这个过程影响质量？绝对不。唯一重要的是生产的产品将大批量出售。他们做了一个权衡，牺牲音乐的表现意义的技术规范，并作为重要卖给观众。谁购买基于一张纸说明技术细节音频组件的买家都陷入平庸或不良的音响系统。具有讽刺意味的是，与降低THD值具有最低的质量太放大器。
这个例子说明了谁生产的群众和高端的设计者、生产者之间的巨大差异。后者更关心产品如何的声音，而不是它是如何执行的“纸”上。他们也知道，他们的客户只会根据他们听到的购买，不是基于规格。
高端音频产品的不只是耳朵的设计，他们往往是由熟练技工手工引以为傲的产品装配工艺。他们往往是发烧友一样，制作具有同样的照顾和精度，如果他们为自己修建。这种精确的对细节的关注，结果是更好的施工质量。更好的建设质量不仅可以带来更好的声音质量的组成部分，也是一个较长的可靠性和磨损较少的迹象。最重要的是，一方面建立了高质量的组件可以给人一种自豪感，大批量生产的部件不能生产将无法达到。
高端产品往往是由一个更好的客户服务而中期FI生产者。Because high-end producers care more about their products and clientele, they generally offer longer warrantees, easier maintenance and replacements routines and better service. It is not unusual for high-end producers to repair products which have no warrantee, free of charge. This does not mean that it is a given fact; it only says that it happens in high-end whilst being unthinkable with mass products. High-end enterprises care about their customers.
These characteristics also apply to high-end retailers. The high-end retailer shares that passion for music reproduction that you have and the adds the wish to offer you a good service. When you are used to buying audio at the large electronics warehouse, you will be pleasantly surprised when you visit a real high-end retailer. Instead of trying to sell you something which just does not suit you or your system, the high-end retailer will view it as his or her responsibility to compose a system that will satisfy your needs best for the longest time possible. Such a retailer will prioritise your musical satisfaction rather than selling the ‘offer of the month’.
Finally, high-end audio could originate from everywhere in the world; the Netherlands, Greece or Brazil just as easy as Japan. The best audio devices do not automatically originate from Japan or the United States.
Seen from a deeper point of view I think that high-end audio products differ fundamentally from mass products. From the moment they are born (either on paper or in the mind of the designer) they differ in design goal, design itself, construction, marketing and even the way the components are being used makes all the difference when comparing high-end audio components to their mid-fi cousins.
Now we know what separates a high-end enterprise to a common electronics warehouse: the caring attitude to which the high-end designer approaches the music. 高端设计师不做框，可以出售任何国内或贸易产品一样；他或她使乐器，它的性能具有决定性的影响的方式，他或她的客户体验的音乐。高端组件是一个深深的迷恋和关注它的音乐再现精度是描绘的物理表现，包括满足买方将他或她自己的经验。
高端设计师工艺制品，以他或她会听家里。因为他或她在乎音乐，重要的是他或她有未知的听众，远在千公里可能享受音乐。更大的参与听众的音乐，好的设计师做了他或她的工作。
一个著名的设计师的数字处理器是这奉献的实例。在一个新的设计，他们把一个电阻和一个价格约一欧元（而不是通常的美分，以前花在这样一个电阻元件）。当产品准备投入生产，设计师寻求如何进一步提高产品的质量。他发现了一个奇特的电阻的试验和错误的方法，以十欧元的价格。令他惊讶的是多少，这是一种进步和无法忍受的产品卖一欧元的电阻。生产了包括更好的电阻，即使零售价格已经设置的基础上，降低单位成本。高端设计师努力丰富自己的产品，而不是单位成本低。
在高端设计师眼中是电子或机械设计不仅仅是一个技术问题；也正是爱与奉献的行为。它是为那些不习惯这样的做法令人惊讶，其中一个组件技术和音乐的设计各方面进行了探讨。The ethos of the reproduction of music reaches to the core of the existence of the high-end designer: it does not concern a job for which he or she must show up to work daily. The result for the listener is the manifestation of a substantially more powerful and intimate involvement with the music, than is possible with equipment which was designed without this form of devotion.
What is high-end audio?
What is high-end sound?
It arises when the audio system is forgotten, seemingly and nearly unperceived it got replaced by the artists in your room. It is present when the artist or composer speaks to you through time and space. It is nearly tangible when you feel the conciliatory physical sensation during a musical climax. It is an indescribable rollercoaster of emotions which the composer has somehow coded to a combination of sounds. It is tangible as the physical world briefly disappears, leaving your consciousness behind accompanied only by the music.
That is the true meaning of high-end audio…
Source: SoundScapes (http://www.soundscapes.nu/high-end.htm) Edited by Live Cable
